A Study on OTT Content Versus Theatrical Released Cinema Preferences Among the Urban Population of Guwahati

Main Article Content

Anindita Dey

Abstract

In the year 2020 when the world was going through a period of lockdown due to Covid_19 and the shooting came to a halt, cinema halls were shut and film releases were suspended. It was then internet managed to create a new viewing experience where the mode of entertainment drastically shifted to the small screens known as Over the top streaming platforms where the user could be customized according to their taste and preferences. Also, this changed the way we will be viewing and this has created greatest fear for cinema hall owners. OTT is widely popular for its, fresh, latest content, good storyline, plot and focuses on the quality of work rather than depending on commercial success. The objective of this research is to find out whether over-the-top channels had created an impact on the urban population of Guwahati, Assam in comparison to other film viewing channels and theatres. This study tries to investigate if OTT has taken over the films on the basis of cost, content, characterization, and accessibility catered to its respective audience in the city. Many viewers are against the idea of censorship in Ott which is considered to be one of the major reasons for its increased viewership. In this research, the researcher tries to find out whether the preferences of the viewers are diverting towards OTT content or it remains with commercial cinema released in theatres. 

Downloads

Download data is not yet available.

Article Details

How to Cite
[1]
Anindita Dey , Tran., “A Study on OTT Content Versus Theatrical Released Cinema Preferences Among the Urban Population of Guwahati”, IJMCJ, vol. 1, no. 3, pp. 15–24, Feb. 2024, doi: 10.54105/ijmcj.C1010.031322.
Section
Articles

How to Cite

[1]
Anindita Dey , Tran., “A Study on OTT Content Versus Theatrical Released Cinema Preferences Among the Urban Population of Guwahati”, IJMCJ, vol. 1, no. 3, pp. 15–24, Feb. 2024, doi: 10.54105/ijmcj.C1010.031322.
Share |

References

Baccarne, B., Evens, T. & Schuurman, D. (2013). The television struggle: an assessment of over- the-top television evolutions in a cable dominant market. Communications & Strategies, 92(4), 43-61 (special issue ‘Video Cord Cutting’).

Chinnaiah, S. (2021). Ott Industry A Disruption To Movie Theatre Industry? Academy of Marketing studies Journal , 25(2), 1-11.

Rachita Ota, Sushree Sangita Ray, Animesh Chandra. (2020, August ). An analysis of customer preference towards OTT Platform during a pandemic: A special reference to Jamshedpur Market. Science, Technology and Development Journal, 9(8), 192195.

Park, Sungwook; Kwon, Youngsun. (2019). Research on the Relationship between the Growth of OTT Service Market and the Change in the Structure of the Pay-TV Market. Econstor Journal, June, 1-5.

Sanghi, A. (2020, November 20). Moral Policing of OTT Platforms Is Only the Latest Episode in India's Saga of Censorship. The Wire , pp. 2-4.

Dr. Shailendra Raj Mehta, Preeti Shrof, Dr. Darshan Ashwin Trivedi,Prof. Santosh K Patra,Dr. Bhaskar Das,. (2019). Indian Ott Platforms Report 2019. Centre for Media & Entertainment Studies -, 15-31.

Moochhala, Q. (2018, Semtember 25). The Future of Online OTT Entertainment Services i. Actionesque Consulting, 1-4.

Mathew, M. (2021, December 18). Films released in theatres can stream on OTT platform only after 42 days. Retrieved from onmanorama.com: https://www.onmanorama.com/entertainment/entertainment-news/2021/12/18/films-theatres-ott-42days.html

Pathak, S. (2020). A study of evolution of OTT platforms during Covid-19 and the shift in trend of releasing films directly on them and their future aspect. Impact of Covid-19 on Mass Communcation and Journalism, 47- 53.

Shukla, N. ( 2021, August 24). ADgully . Retrieved from The growing march of regional OTT and why it is so important for the

industry: https://www.adgully.com/the-growing-march-of-regional-ott-and-why-it-is-so-important-for-the-industry107500.html

Manisha Pandit, Kajal Parmar. (2021, March). The Evolution of Mediated Youth Culture: OTT as “New Television” in India. 25(2-3), 1-22.

Shaji, S. M. (2021, March ). “A Study On Consumer Behavior Towards Online Streaming Platforms”. Christ College (Autonomous),, Department Of Commerce. Irinjalakuda: University Of Calicut, 13-17.

Wadhwani, (. M. (2021, May 10). Ott Streaming – A Conceptual Frame Work And Regul. Turkish Journal of Computer and Mathematics Education , 12(11), 1-5.

Rachita Ota, Sushree Sangita Ray, Animesh Chandra. (2020, August ). An analysis of customer preference towards OTT Platform during a pandemic: A special reference to Jamshedpur Market. Science, Technology and Development Journal, 9(8), 192195.

Park, Sungwook; Kwon, Youngsun. (2019). Research on the Relationship between the Growth of OTT Service Market and the Change in the Structure of the Pay-TV Market. Econstor Journal, June, 1-5.

Sanghi, A. (2020, November 20). Moral Policing of OTT Platforms Is Only the Latest Episode in India's Saga of Censorship. The Wire , pp. 2-4.

Dr. Shailendra Raj Mehta, Preeti Shrof, Dr. Darshan Ashwin Trivedi,Prof. Santosh K Patra,Dr. Bhaskar Das,. (2019). INDIAN OTT PLATFORMS REPORT 2019. Centre for Media & Entertainment Studies -, 15-31.

Moochhala, Q. (2018, Semtember 25). The Future of Online OTT Entertainment Services i. Actionesque Consulting, 1-4.

Mathew, M. (2021, December 18). Films released in theatres can stream on OTT platform only after 42 days. Retrieved from onmanorama.com: https://www.onmanorama.com/entertainment/entertainment-news/2021/12/18/films-theatres-ott-42days.html. [CrossRef]

Pathak, S. (2020). A study of evolution of OTT platforms during Covid-19 and the shift in trend of releasing films directly on them and their future aspect. Impact of Covid-19 on Mass Communcation and Journalism, 47- 53.

SHUKLA, N. ( 2021, August 24). ADgully . Retrieved from The growing march of regional OTT and why it is so important for the industry: https://www.adgully.com/the-growing-march-of-regional-ott-and-why-it-is-so-important-for-the-industry107500.html

Manisha Pandit, Kajal Parmar. (2021, March). The Evolution of Mediated Youth Culture: OTT as “New Television” in India. 25(2-3), 1-22.

SHAJI, S. M. (2021, March ). “A STUDY ON CONSUMER BEHAVIOR TOWARDS ONLINE STREAMING PLATFORMS”. CHRIST COLLEGE (AUTONOMOUS),, DEPARTMENT OF COMMERCE. IRINJALAKUDA: UNIVERSITY OF CALICUT.

Wadhwani, (. M. (2021, May 10). Ott Streaming – A Conceptual Frame Work And Regul. Turkish Journal of Computer and Mathematics Education , 12(11), 1-5.

Amin, R. (2018, March 22). Regional will drive the next phase of OTT growth: Uday Sodhi, SonyLIV. Retrieved from E4M: https://www.exchange4media.com/digital-news/regional-will-drive-the-next-phase-of-ott-growthuday-sodhisonyliv90056.html

Desk, O. W. (2022, February 21). OTT Is The Need Of The Hour And A Silver Lining. They Are One Of The Best Mediums For Storytelling: Producer Mayur Gharat . Retrieved from OutLook : https://www.outlookindia.com/website/story/outlookspotlight-ott-is-the-need-of-the-hour-and-a-silver-lining-they-are-one-of-the-best-mediums-for-storytelling-producermayur/398817

PTI. (2018, April 08). Digital medium no threat to films released in halls: Industry . Retrieved from The Economic Times: https://economictimes.indiatimes.com/industry/media/entertainment/digital-medium-no-threat-to-films-released-in hallsindustry/articleshow/63666890.cms

Garima Sharma Nijhawan, Prof. (Dr.) Surbhi Dahiya. (2020, December 6). Role Of Covid As A Catalyst In Increasing Adoption Of Otts In India: A Study Of Evolving Consumer Consumption Patterns And Future Business Scope. Journal Of Content, Community & Communication, 12(6), 1-12. [CrossRef]

Paharia, R. (2019, April 19). The Emerging Trend Of Book Adaptations On The Web – The Way Forward . Retrieved From IWMBUZZ.Com: Https://Www.Iwmbuzz.Com/Digital/Editorial-Digital/Emerging-Trend-Book-Adaptations-Web-WayForward/2019/04/19

Veer P Gangwar, Vinay Sai Sudhagoni, Natraj Adepu, Sai Teja Bellamkonda. (2020). PROFILES AND PREFERENCES OF OTT USERS IN INDIAN PERSPECTIVE. European Journal Of Molecular & Clinical Medicine, 7(8), 5106-5108.